Ramesvara das Remembers Srila Prabhupada
Prabhupada Memories
Interview 01
Ramesvara: Karandhar met me in 1970 at the Portland temple and decided that he wanted me to become his assistant to work for the book publishing. So in 1971 he brought me to New Dvaraka and he personally trained me throughout ‘71, ‘72 and ‘73. Then the unimaginable happened. Karandhar left at the end of 1973, which was a shock. Jayatirtha and I flew immediately to Hawaii to visit with Srila Prabhupada. At that time Prabhupada was asking us how would things go on, and the conclusion was that Karandhar’s jobs would be split. Jayatirtha would handle the zonal responsibilities and I would handle the BBT responsibilities. In 1974 I made an official BBT visit to our Brooklyn temple where ISKCON Press was located. I had been to the temple a number of times as a book distributor and as a preacher, but not in the capacity of a BBT manager. We were getting ready to reprint two books, The Teachings of Lord Chaitanya and the Krsna Book. One of the artists had been working for the better part of a year on line drawing sketches that would appear in every chapter of the Teachings of Lord Chaitanya. The other devotees had been regularly painting for the Srimad-Bhagavatam, and they had this idea to replace some old paintings with new ones in the reprint of the Krsna Book. The original paintings were done in 1968 and 1969 and the early ‘70s. The artists’ technique had gotten much better and they thought that the new paintings looked more realistic. So it was my task to fly back to Los Angeles and present all of this to Srila Prabhupada as my first official act as a BBT manager. Prabhupada was in his room and we started off by showing him the drawings of the Teachings of Lord Chaitanya. One by one, Prabhupada was commenting and rejecting them for various reasons. Prabhupada liked the original drawings, as simple as they were that had been done by Govinda dasi and Gaurasundar. These drawings, while technically I think superior, lacked in so many ways according to Srila Prabhupada. In one drawing the Goswamis, Rupa and Sanatana, were absent. In another drawing one of the Goswamis was sitting on the same level as Lord Chaitanya. On and on, Prabhupada would tear apart these drawings, and as he kept going through them he was getting angry. I don’t know if any devotee had ever seen Srila Prabhupada angry before but I certainly had not. It was a shock and it was scary. I was frightened. The conclusion was we weren’t going to use any of those drawings. Then I had to bring out the Krsna Book and show Prabhupada the paintings that the artists wanted to take out and the new ones that they wanted to insert. I introduced the topic and Prabhupada said, “They want to add paintings?” I said, “No, Srila Prabhupada, they want to replace paintings, not add. In some cases they are the same scene but they think they painted it better. In other cases they want to take out paintings that they think were painted too long ago and were not painted in a serious way and insert other paintings, not of the same lila.” Prabhupada said, “What? You have no authority to do that. You have no authority here. Once a painting has been approved, you can’t remove it. If you want to repaint that pastime and if the new painting is better, shows more detail, shows more lila, more character, then that might be considered. But just to take one painting out to put a different one in? No. You cannot do that.” He said, “Once I have approved something in my books, it is eternal. Once a painting is approved, it is eternal. You have no authority.” I said, “Oh, okay.” So I said, “Do you want me to show you what they are proposing?” Very unhappily he said, “Okay.” So I started to show Srila Prabhupada the paintings one by one that they wanted to insert. One of them was a painting of Krishna killing Putana. Now we had a painting of Krishna killing Putana, so this I think would have fit the category of taking an old one out and putting in a better one. Prabhupada looked at it and made a face. He said, “That is an ugly black mass. That is not superior. Rejected.” Next I showed Prabhupada a painting of Krishna sitting on the rocks that I thought was beautiful. Prabhupada thought His hair was too long and wild. “Rejected. And besides you want to take, you don’t want to add? You want to take out a painting that I have already approved for that? No. Rejected.” As I kept showing Srila Prabhupada these paintings, the anger that had started with the line drawings for TLC had grown to almost like roaring proportions. At one point he was pounding his fist on the desk, saying, “This is what I’m afraid of, that you will make changes in my books that will ruin them. No. You have to get permission. You cannot do this.” Finally I had one last painting to show Srila Prabhupada. I said, “Prabhupada, they want to take out the painting of the rasa-lila and insert this new painting of the rasa-lila that appeared in the Third Canto.” Prabhupada didn’t say a word for a moment. From his sitting room he could look into his bedroom where he saw this beautiful painting of the original rasa-lila, that Devahuti did, hanging on his wall. He was looking at that painting and he looked back at the print of the painting that we at the press wanted. He said, “You think this is better? This is a hippie dance. Their heads are not covered. Krishna’s hair is wild. The gopi’s hair is wild. Hippie seeds. Hippie dance. Rascals. They are all rascals.” Prabhupada was so angry that he was banging his fist and yelling at me. At that time his servant, Sudama, came running in because he heard the yelling. He couldn’t imagine what it was. He opened the door and saw Prabhupada like Lord Nrsimhadeva. He couldn’t even get down to offer his obeisances because he was so terrified. He stood trembling in the doorway and covered his eyes. He couldn’t bear to see the scene. Then Prabhupada said, “Get out!” And he threw us both out. It was the first of many lessons that Prabhupada gave me about making changes to his books.
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Ramesvara: The first time I met Srila Prabhupada was through his book. Lochan had given me a book to read. It was the Sri Isopanishad. By reading that book, I realized here are all the answers. Everything I have been looking for, searching so hard for, it’s right here. When I moved into the temple I was introduced to Srila Prabhupada in the form of some of his other books; Krsna Book, and especially Bhagavad-gita and the Bhagavatam, First Canto, the original version that Prabhupada had brought. It was the brown bound version with Prabhupada’s unique style of English writing, which was so charming and enchanting. Srila Prabhupada’s books intoxicated me.
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To view the entire unedited video go to Memories 50 - Patita Pavana, Ramesvara, Soma, Manmohini, Kiba Jaya, Girindra M, Omkara
The full Prabhupada Memories Series can be viewed here and also at www.prabhupadamemories.com
Following Srila Prabhupada
Interview DVD 09
Ramesvara: Prabhupada had become very disturbed. He had learned that his manuscripts that he had written through amazing sacrifice of sleep—he stayed up at night and dictated his books—they had been sent in to our New York BBT office and they had not done the production. He had written so many books with commentaries, and they were just lying there. So Prabhupada had flown into Los Angeles, and it was a very tense beach walk. He was discussing how important it was to publish these books and how upset he was that they were lying there, and he was demanding that they be published right away. He then asked, “How long will it take?” So Radha-vallabha from New York was there because he had been the production manager. So we pulled ourselves back and we discussed, “How long will it take you to get me the books so I can send them to the printer?” And he told me that he thought we could do one book every two months. At this point, we were doing one book every four to six months. So we went back into the walk, we caught up again and we told Prabhupada, “We think we can do one book every two months.” So Prabhupada turned around and said, “I want all 17 books done in two months.” I just blurted out, “Srila Prabhupada, that’s impossible!” At that point, Prabhupada stopped walking and he had a cane and he planted it in the sand, and he turned around and looked at me very gravely and said, “Impossible is a word in a fool’s dictionary.” And there was complete silence. We were all stunned. We were just completely stunned. Here is Prabhupada, perfectly in touch with Krishna, telling us that this can be done. It seemed to defy the physical laws as we knew it. So after some very long moments of silence, Prabhupada started walking immediately and the senior devotees, they just turned and started staring at me like, “So what are you going to do?” So this was a matter of just absolute blind faith. Either you believed or you did not believe. It was that type of moment where you commit, never mind what your intelligence is telling you is possible. So Radha-vallabha and I fell back again and we started talking, “We have to do this, this can be done,” and all of a sudden we started coming up with ideas that we hadn’t thought of. And we started getting ideas of different parallel production lines and turning the production lines into 24-hour production lines with two or three shifts, and recruiting devotees from all over to help us with this and on and on and on. And this was all happening in the span of just a few minutes that we were being flooded with these ideas, and we both realized that in order to do this we all had to be together in one central place. And it seemed more logical to do it in Los Angeles—we have the housing for everybody and we can expand easily. So then we caught up to the walk and we said to Srila Prabhupada, “If we are going to do this, we have to move the entire BBT division from New York to Los Angeles—the art department, the production, everything.” And Srila Prabhupada approved that. He said, “Fine. Do it immediately.” And we started.
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Interview DVD 11
Ramesvara: On the way to the festival, and I think it must have been one or two in the morning, I suddenly woke up, my eyes completely snapped open. So I looked around, expecting to see Srila Prabhupada sleeping, but in fact he was up sitting there and clearly waiting for me to wake up. He somehow made me wake up. And so he gave me the opportunity to talk with him, and we spoke for hours. And every question I could think of about the world and world events and events to come I was asking. We talked about the Cold War and nuclear arms, and we talked about many different things. Prabhupada would explain all from the point of view of absolute knowledge, why the world is always a violent place and why there’s always war and misery and pain. So that was helpful for me to understand that whatever time in history that you live, these characteristics will always be there.
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